Overall, this song will take us in a similar direction as its former. They nail the goal of simplicity done right in this track.Īfterwards, the album will lead us into “Blackbird”. Featuring a simple and beautifully done solo, it is melodically enticing. Utilizing heavy overdrive and slow paced riffs, Biersack is heavily thrown into the foreground. Assisting in driving Andy Biersack‘s vocals, the instrumentals do a stellar job steering the track in the appropriate direction. In contrast to its predecessor, there is a more atmospheric approach here. Black Veil Brides have shown they’ve refined the genre in this track displaying catchy beats, big choruses, and an entrancing solo – this is a staple of who they are as a band.įollowing up is a segue into “Born Again”. Being the first single to be released off the album, it was a wise decision to place it at the front. Delving into arpeggiated violin sweeps and blaring organs and horns layered underneath, it makes for a smooth transition into “Scarlet Cross”. In typical Black Veil Brides fashion, it is an anthemic and orchestral opener. Opening up the album and setting the stage for what is to come is title track “The Phantom Tomorrow”. Still, when you listen through and dissect everything piece by piece, it’s an undisputable fact: this is Black Veil Brides, and they are back. In a 12-track album consisting of 4 singles, there is a sense of growth and maturity that is apparent throughout. With the delay of The Phantom Tomorrow set from June 4th to October 29th, it’s safe to say that it was well worth the wait.
It has been quite some time since we’ve seen anything of note come from Black Veil Brides.
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